Godot Engine 3.1 Looks Amazing

Godot 3.1 is not yet stable but a demo made for it looks like the engine could actually visually compete with Unity and Unreal.

https://www.youtube.com/watch?v=fNeTHHTDYso

The demo is available at GitHub, requires using an unstable build (unless you're building yourself) and the use of `git lfs clone https://github.com/godotengine/tps-demo.git`.

Thanks to its Patreon project, Godot Engine makes about $8000 per month (nearly $96,000 per year - of course there are Patreon fees but there might be nonpublic donations/support as well), which allows it to be much more than a passion project. Godot is being legally represented by Software Freedom Conservancy (I recommend this fantastic podcast about it).

One thing that bugs me about Godot right now is their download page:

Specifically this:

Put yourself into the shoes of somebody new to Godot. They want to download the engine of course. Let's assume they know the difference between 32 and 64 bit but how are they supposed to make a fast decision whether to get the "Downloads" version or the "Mono Version (C# Support)"? For the longest time I thought the C# support does not support GodotScript.

If C# is stable, why not include it by default?

If C# is unstable, why present it as an equal to the stable version?

Anyways, let's look forward to a stable 3.1 and much useful documentation. Documentation for modern game engines by the way means free-to-use sample projects with code you can understand.

There actually is one functional FPS tutorial with no sound at all and unpleasant controls but technically it seems fine:

https://www.youtube.com/watch?v=3hVlqBeUoL0

It is part of the official documentation.

By the way, I'm collecting open source game(dev) Discord servers on the following server: https://discord.gg/usAHQdz . 14 so far. Let us know if you know of any missed ones!

THE VICTIMS - All Loud On The Western Front 1989

Recorded @ Sweet Corn Studios, November '77 - March '78, The Victims were formed in Perth in mid-1977 with James Baker on drums (ex-Beheaded/The Geeks), Dave Flick on guitar + vocals (ex-Beagle Boys) and Rudolph V bass guitar. Earlier in that year Baker and Cardwell had founded another punk band, the Geeks, with Ross Buncle on guitar and a vocalist, Lloyd. That group folded in May and their original songs formed the core of the Victims' initial repertoire. The group's sound was based on United States punk pioneers, the Flamin' Groovies, the Heartbreakers, New York Dolls, and the Stooges. Australian musicologist, Ian McFarlane, felt that "with their frantic, explosive sound backed by a solid melodic bent, The Victims became the premier punk band on the Perth scene." Their debut single, "Television Addict", was issued in April 1978 and was followed by a five-track extended play, The Victims, in August of that year. The group disbanded early in the next year. In 1989 Timberyard Records released a compilation album, All Loud on the Western Front, of their material. In late 2014 and early 2015 Baker and Faulkner were joined by Ray Ahn (of Hard-Ons) as the Television Addicts to perform the Victims material. The 2014 and '15 shows were so well received that the trio rightly assumed the band name The Victims and played sold out shows at Rosemount Hotel and Mojo's Bar.

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Call of Duty Black Ops 3 Free Download

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The gameplay has also been developed to a very different extent. Now the campaign has the support for cooperative game play up to 4 players. You can also customize your soldier by adjusting its attributes and other details. There is also multiplayer mode included where you can form team which has different soldiers having different specialties. Altogether this game is developed very commendably and one will surely enjoy playing it.

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AXODRY - Surrender 12'' 1984

Yeah, victory in Hoffenheim and I'm in the mood to post something completely new and I must confess, I grew up with this band and I have only two records left. Let me give you a bit info: Axodry was the duo of Andreas “Talla 2XLC” Tomalla and Ralf “Ra/Hen” Henrich formed in Frankfurt/Main in 1982. The two met at City Music record store where Talla 2XLC worked and supplied the local DJ scene with dance 12”s. From 1984 to 1991 they released six 12” singles. Both members were leading figures in the European electronic scene during the 80’s and 90’s, forming bands like Bigod 20, Tribantura, Micro Chip League, Moskwa TV, Pluuto and Robotiko Rejekto. In 1988 they released the maxi 12” single “You” on ZYX Records/Combeat. Influenced by Depeche Mode, Gary Numan and John Foxx, the duo crafted their own brand of Industrial, Synth Pop and Electronic Body Music. Their basic set up for recording songs at RaHen’s home studio was a Moog Rouge, Roland SH-101, Teisco synthesizer, Linn Drum and Fricke sequencer. Ra/Hen tackles vocal duties and sings about longing for a lost love. Included on this reissue are the Beauty & The Beat Mix and Beasty Dub Mix from the 1988 single. On the flip is the slightly sped up Razormaid Remix, performed by Art Maharg and Joseph Watt, that originally appeared on the “Welcome To The Technodrome” compilation in 1989. Also included is “Mechanic”, originally released in 1991 as the B-side for their final single “Losing You”. OK folks, that was a lot for today and I guess there is something for everyone.

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THE NAILS - Dangerous Dreams 1986

Before I dedicate myself to football this record and I don't know how I got this? Anyway, fact is that also very good new wave music was created overseas, a bit different from the UK sound but The Nails prove with their second album that they had what it took, ten beautiful melodic songs crown Dangerous Dreams and I listen to it a second time in a row (especially the voice of Marc is fantastic). A bit info from wiki: the Nails were originally a five-piece new wave band that formed in Boulder/Colorado in 1976, originally named as the Ravers, and their roadie, Eric Boucher, later became known as Jello Biafra of the Dead Kennedys. The band members were Marc Campbell (lead vocals, guitar), Dave Kaufman (keyboards), Al Leis (drums), Artie Freeman (lead guitar), and Jon Cormany (bass).

In 1977, the Ravers recorded an EP in Boulder with Screwball Records. The Ravers moved to New York in June 1977 and played the showcase clubs CBGB and Max's Kansas City. Shortly after arriving in NY, The Ravers changed their name to The Nails (there was a local band named Raver). A '45 with the band's original lineup was recorded in New York City in 1978. By mid-1978, Leis (now deceased), Cormany, and Freeman (now a medical school professor) had left the band.

By the late 1970s, The Nails had established themselves on the club circuit and were now composed of vocalist Marc Campbell, bassist George Kaufman, saxophonist Douglas Guthrie, drummer Mike Ratti (Dennis McDermott on Mood Swing), keyboardist Dave Kaufman, and guitarist Steve O'Rourke. Hotel for Women, an EP recorded in 1981, contained an early version of "88 Lines About 44 Women", a song that caught the attention of RCA. The Nails were signed to RCA by Bruce Harris, also known for bringing The Clash to America. In 1984 "88 Lines About 44 Women" was re-recorded for RCA and included on The Nails' full-length debut LP, Mood Swing. The song received regular airplay despite a number of double entendres and lyrical references to masturbation and sadomasochism.

Two years later they released Dangerous Dreams, also on RCA. Both Mood Swing and Dangerous Dreams made the Billboard top 200 album chart and were critically acclaimed. But after the release of Dangerous Dreams The Nails left RCA. RCA did not release either LP on compact disc. "88 Lines About 44 Women" continued to appear on compilations 20 years after its release and was featured in a Mazda television commercial that aired in the late 1990s.

In 1988, the band reconvened (without Guthrie and Dave Kaufman) to record a third album, Corpus Christi, which was not released until 1993 and received little exposure. The Nails deny ever receiving any proceeds from this album, citing a rift with their former producer, claiming that he swindled them of their rights. They posted re-recordings of these songs on the late George Kaufman's site, along with the explanation of the dispute. They strongly discourage fans from purchasing the album, as they will never be compensated.

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