Last Day on Earth Mod v1.11.3 Unlimited Money

Game Info :-

The survival shooter Last Day on Earth is set in a post apocalyptic world: in 2027 the world saw an outbreak of an unknown infection that destroyed almost all the human race. And it didn’t stop there. All those dead started turning into zombies and those few survivors that have resistance in their blood are trying to survive on the ruins of the once great world.

And now the survival of your character is only in your power! Keep an eye on your character’s life stats such as hunger and thirst, collect valuable resources for crafting, create weapons and transport of different types or use what you have at hand: a bat or a road sign. Everything will come in handy for killing dozens... hundreds…thousands of zombies!

Defeat intruders to your land not only with your power but also cunning – construct fortifications with traps or go raid other survivors’ territories for the sake of rare loot and resources. After all people can do anything to survive.

Hardcore fans will have plenty to do in tough seasonal locations. Before going to a desperate trip, equip your survivor with the most crushing weapon to hunt wild animals and destroy crowds of mutated zombies. One can reach seasonal location on a transport that’s available for crafting. Moreover if you pass the wall on the west of the map you will enter an online location where with a special costume on, you will be able to interact with other players.

Explore the large and deep-laid world of Last Day on Earth! Upgrade your hero, equip your house, loot abandoned territories, hunt wild animals and other survivors – the new world has new rules.

Will you survive in conditions like these? If so, what price are you ready to pay?

Download Link's :-

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Metasploit Modules and Locations | Metasploit Tutorials

Almost all of your interaction with Metasploit will be through its many modules, which it looks for in two locations. The first is the primary module store under /usr/share/metasploit-framework/modules/ and the second, which is where you will store custom modules, is under your home directory at ~/.msf4/modules/.

All Metasploit modules are organized into separate directories, according to their purpose. A basic overview of the various types of Metasploit modules is shown below.

Exploits: In the Metasploit Framework, exploit modules are defined as modules that use payloads.

Auxiliary: Auxiliary modules include port scanners, fuzzers, sniffers, and more.

Payloads, Encoders and Nops: Payloads consist of code that runs remotely, while encoders ensure that payloads make it to their destination intact. Nops keep the payload sizes consistent across exploit attempts.

Loading Additional Module Trees
   Metasploit gives you the option to load modules either at runtime or after msfconsole has already been started. Pass the -m option when running msfconsole to load additional modules at runtime.
   If you need to load additional modules from with msfconsole, use the loadpath command:

From Offensive Security

RODGAU MONOTONES - Volle Lotte! 1984

Einen hab ich noch and we meet local heroes Rodgau Monotones, a rock combo founded in 1977 and they are especially popular in the Rhein Main area around Frankfurt/Main and in the German federal state of Hessia because of their biggest success Die Hesse Komme from 1984, which is sort of an unoffcial hymn for the region. This is their third album on Rockport with eleven solid rock songs. Bandinfo: In November 1977, five musicians from Rodgau met for the first time in the rehearsal room and founded the Rodgau Monotones. They wanted to make music which is not German or jazz rock, but rather party rock. In the early years they limited themselves to offering pieces by ZZ Top, Johnny Winter and Queen with German lyrics. In 1978, Hendrik "Henni" Nachtsheim joined the band with his saxophone, later known as a member of the comedy duo Badesalz. The first appearance of the band took place on Carnival 1978 @ the Roxy in Offenbach am Main - as a break filler of "Hartz Reinhard Revival", also played in the Mob and Osti. This was followed by a series of performances in smaller venues, where already up to 2000 people came to the concerts when the band was still unknown in Frankfurt. In 1980 followed the first appearance in the Batschkapp in Frankfurt-Eschersheim, which was terminated after only one hour due to lack of repertoire. In 1982 they took their first album Wollt Ihr Musik, Oder Was? on and went regional tour. With the single release Ei Gude as from the 2nd slab Fluchtpunkt Dudenhofen they made their first radio appearances. The chart sequence of the album Volle Lotte! (16th place) and the single Die Hesse komme! (#22) helped the Rodgau Monotones to the final breakthrough. In 1985, they put on the longplayer We see ourselves in court (# 23) and the singles Hello, I am Hermann (75th place) after. In the same year they played in the band for Africa together with other rock greats on the Cologne cathedral plate the German contribution Nackt in the wind to the "Live Aid Concert". The participation in the festival in the stadium @ Bieberer Berg 1983 in Offenbach with Santana, Bob Dylan and Joan Baez followed in 1984 "Pampa Power" in the stadium of the FSV Frankfurt on Bornheimer Hang with Flatsch!, Die Crackers, Feinbein, Hob Goblin, Roger Chapman ", the anti-WAAhnsinns festival and on October 19, 1985, following an appearance at Kuli in one, will also win one more in the ARD Rockpalast. As part of the Deep Purple Open Air 85 on June 29, 1985 on the Mannheim Maimarktgelände and on July 6, 1985 @ the Zeppelinfeld in Nuremberg they were honored to open both festivals (with Roger Chapman, Mountain, Meat Loaf & Deep Purple). The cartoonist Chlodwig Poth produced in 1985 with his daughter Leonore Poth a 30-minute music film with animated elements called "Rodgau Melodies - Die Rodgau Monotones and their songs" for the Hessischer Rundfunk. The rudimentary plot of the film - now available on DVD - played at a Rodgau kiosk. On 27 July 1986 they had a joint appearance with Herbert Grönemeyer and the band Die Toten Hosen in the demonstration against the planned nuclear reprocessing plant Wackersdorf. In 1987 saxophonist Achim Farr joined the band for his "Sportsmen" tour. In 1990, Henni Nachtsheim left the band and concentrated together with Gerd Knebel von Flatsch! based on the early eighties comedy duo bath salts. For a year and a half the band paused, then they found the right replacement for the vocals with Kerstin Pfau. In the middle of 2001 there was another break when Achim Farr left the band at his own request. With this departure also the horn section with Joachim Kunze (trumpet) and Thomas Wimbauer (trombone) was dissolved. The new saxophonist was Matthias "Mattl" Dörsam.

In March 2003, the Rodgau Monotones celebrated their 25th stage anniversary ("Silver Wedding") in two sold-out concerts in the Stadthalle Offenbach together with their old companions Flatsch!, Hob Goblin, the Crackers and 8000 fans. The "Monotones" celebrated their thirtieth anniversary on August 30, 2008 together with numerous guests such as Anne Haigis and Wolfgang Niedecken and companions such as Hendrik Nachtsheim, Gerd Knebel and Jürgen Zöller in the Hanauer Amphitheater. The three-hour concert was broadcast on 28.September 2008 together with the two-hour unplugged concert of the "Monotones" in May 2008 and the film Rodgau Melodies by hr-Fernsehen as "The Long Rodgau Monotones Night". On April 2, 2009, Rodgau Monotones received the Citizen Medal in gold from the city of Rodgau. In March 2018, the band celebrated their 40th anniversary at the Stadthalle Offenbach. In the more than three-hour show they met again with old companions.

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NIRVANA - Incesticide 1992

First vinyl rip and its a nice one: Incesticide is a collection of Nirvana's non-album tracks, B-sides, demos, outtakes, covers & radio broadcast recordings and I can't understand why this slab is traded so high? Surely its brilliant but not as rare as a photo of the Pope at the brothel visit, anyway.... Again a bit info from wiki: Early in 1992, Jonathan Poneman of Sub Pop contacted Gary Gersh, who had previously signed Nirvana to Geffen Records, to inform him that Sub Pop still had a number of unreleased early Nirvana recordings in their possession. The band had originally intended to release the material via Sub Pop and cynically called it Cash Cow. However, Sub Pop could not match Geffen's distribution network, and the band felt that getting the material maximum exposure was important. Sub Pop sold the recordings to Geffen for "a six-figure amount" on the condition that the band would create and approve the release of an album by Christmas 1992. At the time, the majority of the material on Incesticide was circulating within fan communities (albeit in lower quality). It was widely reported in the music press that the band wanted to offer fans a higher-quality alternative. In the book Cobain Unseen, Charles R. Cross writes that Kurt Cobain agreed to the release of this compilation because he was allowed complete control over the album's artwork. Since the songs were recorded in different sessions and some were recorded when Nirvana did not have a stable formation, the album includes recordings by four different drummers: Chad Channing, Dan Peters, Dale Crover, and Dave Grohl. Don't miss Nirvana @ Roskilde Festival 26.06.1992 and enjoy the weekend.

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THE DAMNED - Damned Damned Damned 1977

Happy new year together and I hope you had a great transition. A new blogger year is coming up and I try to sweeten you this with refreshing rarities. At the start now: Damned Damned Damned, the debut album by London's The Damned and it was released by Stiff Records and allows me a short info from wiki: In a contemporary review, NME praised the group's musical ability, opining that the Damned have "all the residual skills needed for the actual performance of exhausting modern music", stating that James was the most effective powerhouse guitarist since Pete Townshend and concluding that the album as a whole was "a highly professional production and is much more convincing than some other new wave bands I've heard on record." BBC's retrospective review praised the album's energy, pop satire and general humour, commenting, "Each track featured the hammering toms of Rat Scabies & Captain Sensible's bass-as-guitar propelling Brian James' exhilarating machine gun axe into your living room". The American press has also favored the album. Ned Raggett of AllMusic gave it their highest rating of five stars, calling it "a stone classic of rock & roll fire" and declaring that "Damned Damned Damned is and remains rock at its messy, wonderful best." Pitchfork also positively assessed the album in a negative review of the Damned's 2001 album Grave Disorder, stating, "I won't lie to you: the Damned's new album isn't very good. In fact, the Damned have only ever recorded a few albums that were - for instance, their debut or 1979's Machine Gun Etiquette". Okay, now I'm looking into my treasure chest which album will be my first rip 2019.

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